Getting Back to the Essence of the Song With Greg Cartwright, Amanda Anne Platt and Wes Pearce

This story begins with Citizen Vinyl, a combination vinyl pressing plant, recording studio, bar and restaurant in downtown Asheville, North Carolina, in the old Citizen-Times building. Built in the late 1930s, it was originally the home of two newspapers and the WWNC radio station. Wanting to host more events there, Citizen Vinyl reached out to Greg Cartwright, well known for his work in his band Reigning Sound; Greg then invited Amanda Anne Platt, who has been playing with her band The Honeycutters for more than a decade, and a relatively new artist in the Asheville scene, Wes Pearce. 

Postcard from 1939 depicting Asheville, NC’s Pritchard Park and WWNC radio station

The three artists shared the stage on the ground floor of the three story building, in the open space between the bar, record shop and pressing plant, and played from their existing catalog of songs as well as many brand new songs that have not yet had their chance to make it into the adjacent room to be pressed into discs. The audience was quiet and attentive, and while Amanda, Greg and Wes played, the rest of the world receded to the background as everyone focused on the trio, who took turns playing their songs on acoustic guitar.

After their set, Amanda, Greg, Wes and I went upstairs to the old WWNC live performance studio to talk about the romantic atmosphere of their show, the resurgence of vinyl’s popularity and how the collectability of 45s and LPs has flipped since COVID-19 changed so much for all of us, how they navigate their music careers post-COVID, the local Asheville scene and more.

Live performance from 1939 on the radio in the WWNC studio where we taped our interview

Songs heard in this episode:

Amanda Anne Platt & the Honeycutters “The Road” from Amanda Anne Platt & the Honeycutters

“Burden” by Wes Pearce, from Death & Darlins, excerpt

“Alive” by Reigning Sound, from Memphis In June, excerpt

“Girls Like You” by Amanda Anne Platt & the Honeycutters, from The Devil and the Deep Blue Sea

Thanks for dropping by, and we are even more grateful whenever you share this with someone. Sharing in person is most appreciated, but please also follow us on your podcast platform of choice, and then it will only take a minute to give it a top rating and, where it is an option, a review. It is hugely impactful when you do this! Great ratings, and reviews especially, will make Southern Songs and Stories and the artists it profiles more likely to find a home with more fans. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, where we worked with Joshua Meng who wrote and performed our theme songs. Thanks also to Greg and Amy Gerald for hosting me during my stay in town and to Gar Ragland and everyone at Citizen Vinyl for their hospitality.

This is Southern Songs and Stories: the music of the South and the artists who make it. — Joe Kendrick

Favorite Outtakes of 2021: Corrie Askew

Every episode of Southern Songs and Stories finds its way onto public radio WNCW, albeit in a condensed form. Corrie Askew produces a radio version of each show to fit within the eight minutes that it reaches FM listeners on alternating Tuesday mornings (Down the Road on the Blue Ridge Music Trails and American Songcatcher air on the other Tuesdays). Because there is so much material that cannot fit into either version of the show, many great moments have to be left behind. Corrie Askew, who also produces and hosts WNCW’s bluegrass and old-time show Mountain Mornings 6-7AM Sunday through Friday, proposed that it would be a great idea to feature some of her favorite moments of the series from last year which never made it onto the podcast or WNCW. In this special episode, Corrie goes to unheard portions of interviews with Amanda Anne Platt, Amythyst Kiah, Dom Flemons and Esther Rose for this mini-retrospective of 2021.

Thank you for visiting, and we hope you enjoy this series! Feel free to give us feedback on our social media via Instagram, Twitter or Facebook and you can also drop a comment below this article. Please do follow the series on podcast platforms everywhere, where it greatly helps when you give us a top rating and even more so with a good review, because the show’s visibility to everyone using those platforms depends largely on followers, ratings and reviews. Southern Songs and Stories is a part of the podcast lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here . You can also hear new episodes of this podcast on Bluegrass Planet Radio at here. Thanks to Corrie Askew for producing this special episode, and to Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Happy In Disguise: Amanda Anne Platt and the Honeycutters

Procrastination is often the yin to the yang of creativity, a kind of stumbling block that can at times derail the work of making art. Artists can procrastinate just like you and I do when it comes to getting on with whatever hard things are in front of us, which is kind of comforting. Knowing that Jim Lauderdale, for example, has often finished writing songs while in a recording session should give all of us some room to forgive ourselves for not studying for that final exam or for not doing our taxes until the last minute.

Writing songs is seldom easy. But for Amanda Anne Platt, writing songs seems free of anxiety. In fact, keeping a journal and writing songs is her way of processing life. Whereas we might take a walk or talk to a friend to decompress after long hours of doing the hard things, Amanda would likely take those hard things and put them into melodies, melodies which we can in turn crank up on the ride home to loosen up from our static filled day.

Amanda Anne Platt and the Honeycutters perform at Albino Skunk Music Festival on May 14, 2021. Photo: John Gillespie

Amanda Anne Platt has appeared on Southern Songs and Stories as a guest in a roundtable of women artists from western NC in 2018 as well as a video documentary version of the show back in 2015, when her band was newly signed to their first record deal with Organic Records, which she still calls home. It was a time when she had called western North Carolina home for less than a decade, having moved from her native New York to Asheville, North Carolina to start her musical career. I spoke with Amanda once again at the Albino Skunk Music Festival in Greer, South Carolina when she and the Honeycutters performed in the late spring of 2021. Included here is our conversation as well as excerpts from the new collection titled Between the Devil and the Deep Blue Sea as well as a live performance from Skunk Fest.

Songs heard in this episode:

“New York” by Amanda Anne Platt and the Honeycutters from The Devil and the Deep Blue Sea, excerpt

“Open Up Your Door” by Amanda Anne Platt and the Honeycutters, live at Albino Skunk 05-14-21

“St. Sebastian” by Amanda Anne Platt and the Honeycutters from The Devil and the Deep Blue Sea, excerpt

“The Devil” by Amanda Anne Platt and the Honeycutters from The Devil and the Deep Blue Sea

We hope you enjoy the podcast, and also hope you might tell someone about it either in person or on social media. You can follow the series on podcast platforms everywhere, where it helps greatly when you give us a top rating and even more so with a good review, because the show’s visibility to everyone using those platforms depends largely on followers, ratings and reviews. Southern Songs and Stories is a part of the podcast lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. - Joe Kendrick

A Soundtrack To An Enduring Icon: Dolly Parton

If there’s one thing in music that practically everyone knows something about, it’s living legend Dolly Parton. And if there’s one thing in music that few people know anything about, it’s how film soundtracks are made. Both of these are a given; like the sun rising and setting, there is music in movies, and there is the transcendent career of Dolly.

(L to R): Mark Leggett, Dolly Parton and Velton Ray Bunch in studio for the making of the soundtrack to Dolly Parton’s Heartstrings

 In this episode we dive into the world of film soundtracks and the story of Dolly Parton with an interview of two of Dolly’s long time collaborators, Mark Leggett and Velton Ray Bunch. We’ll also feature some of their work from Dolly’s latest project, the series Dolly Parton’s Heartstrings, along with a new guitar piece from Mark, plus you’ll hear from western North Carolina artist Amanda Anne Platt along the way. Amanda has been on this series before, starting with our video documentary on her band here, and again on our episode on women in music here.

Songs heard in this episode:

Dolly Parton: “Muleskinner Blues” (excerpt)

Dolly Parton: “These Old Bones” (excerpt) from Halos & Horns

Mark Leggett and Velton Ray Bunch: “These Old Bones” (excerpt) from Dolly Parton’s Heartstrings

Amanda Anne Platt & The Honeycutters: “Diamond In The Rough” (excerpt) from Amanda Anne Platt & The Honeycutters

Mark Leggett and Velton Ray Bunch: “Sugar Hill” (excerpt) from Dolly Parton’s Heartstrings

Dolly Parton: “Jolene” (excerpt)

Mark Leggett: “Folktown” from Guitars & Blackbirds

Women In Music: What They Face And Overcome

Making it in music is tough. It can be the most wonderful experience you could hope for, but surviving, let alone flourishing, is an elusive bulls-eye for musicians and music professionals everywhere. This theme comes up in every episode here on Southern Songs and Stories, in some way or another. Artists of all kinds are self employed and are walking a hard road to travel, especially financially. But not all artists are walking that same hard road -- some are walking one even steeper, and more dangerous. And when you are talking about making it in music, it becomes clear pretty quickly that being a woman puts you on a journey lined with pitfalls and roadblocks. In this episode of Southern Songs and Stories, we map out what that road can be like, as we hear from Amanda Anne Platt of the Honeycutters, Natalya Weinstein of Zoe & Cloyd, Hannah Kaminer, Alexa Rose and Ygerne Moonie, telling us about their experiences, both good and bad, as we question what makes music so male dominated in the first place, what preconceptions do to hold women back, talk about some of their musical heroines, and much more.

(L to R) Natalya Weinstein, Amanda Anne Platt, and Hannah Kaminer on set at IAMAVL for the video which serves as the starting point for our podcast episode.

Thanks for visiting Southern Songs and Stories, and thanks to the Women Of Music Action Network for their Breaking The Bowl article, which was my source for the facts about and recent history of how much country radio is ignoring women artists. I also referenced a New York Times article from January 2018 about gender diversity in the music industry to get a lot of the statistics mentioned in this episode. Thanks to our supporters on Patreon. Thanks to both the Osiris Podcast Network and to Bluegrass Planet Radio for carrying the show, and to everyone at I Am Asheville for producing the video which got the ball rolling for this episode. I encourage you to spread the word about this podcast and the great musicians we profiled, and consider helping us by subscribing and commenting on our show, and by becoming a patron. This is Southern Songs and Stories: the music of the South and the artists who make it.