Finally, A Country That Welcomes Her: Rissi Palmer

Imagine getting your dream job and immediately being scrutinized for your appearance; being asked to wear a wig that was nothing like your natural hair; being quizzed on obscure bits of the history of your field; being asked whether you took the job as a stepping stone to another one. Imagine getting lots of hate mail about the fact that you look different than everyone else with that job. What about being stopped by security when they did not believe that you were really supposed to be in front of people at your own event? Would you stay in that job? I would not. And neither did Rissi Palmer, at least for a time. Fortunately, she came back in a few years, and she has a remarkable tale to tell, which is reflected in her latest album, Revival.

Palmer tells us about that comeback, which began in earnest with the 2020 debut of her Apple Music series Color Me Country Radio With Rissi Palmer; the love she has for her adopted hometown of Durham, NC; hints of what is to come in her next album, and much more in this episode which features excerpts of her music both live and on album.

Rissi Palmer performs at Earl Scruggs Music Festival 09-03-23 (photo: Joe Kendrick)

Songs heard in this episode:

“Seeds” by Rissi Palmer, from Revival

“I’m Still Here” by Rissi Palmer feat. Miko Marks, excerpt

“Summerville” by Rissi Palmer, live at Albino Skunk Music Festival 05-12-23

“Speak On It” by Rissi Palmer, from Revival

Thank you for visiting us and giving this podcast a listen! This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, and to Joshua Meng, who wrote and performed out theme songs.

This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Playing Through Pain With Cristina Vane

Sometimes people have a determination and intensity that is not obvious at first. In our conversation after her performance last August at the Reeves Theater in Elkin, NC, Cristina Vane said, “I'm not gonna wait for something, some miracle to happen, right? So I have to get out there and like, just do it. Nike sign style, you know, just do it. And so that's what I I've always done is just get in my car and do it.” She said it without reference to her show, an intense enough environment on a good night, let alone a night where she stood atop a very recent gash on her foot. In Cristina’s case, the cut would have to take a back seat to this tour and this night’s performance, and be relegated to remain there for a half hour more while we spoke. Intensity, indeed.

Hers was not the only example of an artist playing through pain there at the Reevestock Music Festival.  Saturday’s headliner was Darrell Scott’s Electric Trio, and just days ahead of their performance, drummer Jeff Sipe had undergone hand surgery; he played with a large bandage nonetheless. Both bands put on fantastic shows as it turned out, with the backdrop of injury only adding charge to the atmosphere. Cristina played her set mostly standing, but did sit while playing some of her songs, which included music from her second and latest album, Make Myself Me Again. She played plenty of new music as well, which is coming sometime in the future on album number three. Afterwards, we enjoyed a lively conversation touching on everything from the apparent irony of how she fell in love with American blues music at a pub in England; how growing up in Europe affected her perceptions of both her American and Guatemalan identity before coming to live in the U.S. and then falling in love with the American West; how she has rewritten her own priorities while still staying true to her purpose in life; her obsession with Skip James and Blind Willie Johnson, and much more.

Cristina Vane poses for a photo before her performance at the Reeves Theater in Elkin, NC 08-04-23

Thank you so much for dropping by and giving this podcast a listen. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, where we worked with Joshua Meng who wrote and performed our theme songs. And big thanks to everyone at the Reevestock Music Festival for having me emcee the event, which gave me this opportunity. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Roots Reinterpreted: The Folk Revival of Jake Xerxes Fussell

In this series, we often spend time with artists and styles of music that are not celebrated in the mainstream, and our guest here is no exception. With a focus on music that is from artists living in the South and on music that has roots from the region, we are constantly talking with bluegrass, blues, country, rock and Americana artists in this endeavor. These forms of music are immensely important to the history and legacy of original music in this country, but they seldom are associated with today’s biggest stars, and even they are not the only game in town when one treks to the musical land of Niche. One reason why we love those genres is simply because they became so popular, fueling one of America’s great exports to the world. But it is easy to get wrapped up in that history and culture and lose sight of other traditions that also are not celebrated in the mainstream, nor are part of the narrative where roots music born in the South becomes foundational to a preponderance of popular music in the twentieth century. In this conversation with Jake Xerxes Fussell, I was reminded of that.

That reminder is just one part of our conversation, which took place in mid May 2023 at the Albino Skunk Music Festival in Greer, SC. Jake played a solo set on guitar, and afterwards we spoke about his deep roots in folklore, about his fourth album Good and Green Again, being a DJ on WHUP in Hillsborough NC and more in this episode which also features excerpts of music from his live set.

Jake Xerxes Fussell performs at the Albino Skunk Music Festival, 05/13/23

Songs heard in this episode:

“Raggy Levy” by Jake Xerxes Fussell, live at Albino Skunk Music Festival 05/13/23“Rock Steady” by Aretha Franklin, excerpt

“Morning Train” by Precious Bryant, from The Truth, excerpt

“Frolic” by Jake Xerxes Fussell, from Good and Green Again, excerpt

WHUP’s Fall Line Radio show excerpt from 07-12-23

“The River St. Johns” by Jake Xerxes Fussell, live at Albino Skunk Music Festival 05-13-23

We are so grateful when you tell someone about this series, and it is easy to follow us on your podcast platform of choice, where it will only take a minute to give us a good rating, and where it is an option, a review. When you do that, it makes this series go up in the rankings, which means that more people just like you will find it, and more people will get turned on to the artists and endeavors we profile. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, where we worked with Joshua Meng who wrote and performed our theme songs.

This is Southern Songs and Stories: the music of the South and the artists who make it. — Joe Kendrick

Dom Flemons: Finding New Ways Forward By Reviving Music's Past

For those who adhere to the old adage that “If you're the smartest person in the room, you're in the wrong room,” you would likely feel comfortable being in the company of Dom Flemons. Now living in Chicago, he has called many places home, from his native Arizona to North Carolina to Washington, D.C., and has covered even more musical territory, mastering the banjo, fife, guitar, harmonica, percussion, quills, and bones in many styles along the way. He won widespread acclaim as a founding member of The Carolina Chocolate Drops, and after leaving the group in 2013, has not missed a beat, playing at Carnegie Hall, the Grand Ole Opry, the opening ceremonies for the National Museum of African American History and Culture, the National Cowboy Poetry Gathering, and has represented the United States at the 2017 Rainforest World Music Festival in Kuching, Malaysia. These accomplishments only scratch the surface of his remarkable career, to say nothing of his warmth, openness and modest charm.

Dom Flemons at the Outback Opry drive-in concert 09-05-20 (photo: Daniel Coston)

Dom Flemons at the Outback Opry drive-in concert 09-05-20 (photo: Daniel Coston)

Thanks for dropping by, and I hope you might reach out to someone you know who is a fan of music, history or culture and let them know about this series. You can subscribe on Apple Podcasts, Spotify, TuneIn, Pandora, NPR One -- pretty much everywhere you can find podcasts. And once you subscribe, it helps even more when you give it a good rating and a review. Top ratings, and especially your reviews, will make Southern Songs and Stories and the artists it profiles more likely to be found by more people just like you. Southern Songs and Stories is a part of the podcast lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. My full interview with Dom Flemons is on video, which is on my YouTube here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW. Our theme songs are by Joshua Meng. This is Southern Songs and Stories, celebrating the music of the South and the artists who make it. - Joe Kendrick

Music heard in this episode:

“‘Til The Seas Run Dry” by Dom Flemons from Prospect Hill

“Going Backward Up the Mountain” by Dom Flemons from Prospect Hill: The American Songster Omnibus

“Georgia Drumbeat” from Dom Flemons’ Prospect Hill: The American Songster Omnibus

“Shake Your Moneymaker” by Reverend Peyton’s Big Damn Band with Dom Flemons and Steve Cropper

“My Money Never Runs Out” by Dom Flemons from Prospect Hill

When Music Is More Than Music, And Becomes A Family: Marcus King

Sometimes it is easy to say what type of music you are listening to, and to pick out what influences go into an artist’s music. But how many times have you heard someone say something like, ‘their sound is Muscle Shoals meets Philly soul’ or ‘this band is what would happen if the Allman Brothers and Janis Joplin had a baby’, and so on? So many times, these are lazy analogies, but even when they have merit, they might only scratch the surface of what informs that artist or band. And on first listen, you will probably quickly recognize some of the ingredients in the music of Marcus King. Blues, rock and soul jump out right away. And when you look at Marcus, it is easy to sum things up by saying that he is a young guitar phenomenon with a powerful voice and a super tight band. This is all true, but there is so much more to discover with Marcus King, and the deeper you go, the more you find out about how intricate his music can be.

After moving to Nashville, Marcus King brought in hit songwriter Paul Overstreet and The Black Keys’ Dan Auerbach to work with him on his album El Dorado

After moving to Nashville, Marcus King brought in hit songwriter Paul Overstreet and The Black Keys’ Dan Auerbach to work with him on his album El Dorado

Even though Marcus King did not graduate from high school, he is widely read. Especially when it comes to music, he is a polymath. He enjoys learning guitar technique from vocalists, piano players, and saxophone players, and he knew to quit emulating other guitarists years ago. He can even draw a line from stand up comedy to the music he makes. Marcus is only 23, but his voice, his playing and his songwriting have matured greatly over the span of his five studio albums. With his latest, El Dorado, King brings in co-writers for the first time, along with new producer Dan Auerbach. In this episode, you will hear from Marcus King as well as fellow Greenville, SC based artist and frequent collaborator Charles Hedgepath, along with music from both of their newest records, and a live cover from when they were together on stage at the third annual Marcus King Band Family Reunion.

Marcus King Band live at WNCW 7-15-19. Photos: Kim Henson

Marcus King Band live at WNCW 7-15-19. Photos: Kim Henson

Songs heard in this episode:

Marcus King: excerpt of “Wildflowers & Wine” from El Dorado

excerpts of Country Gentlemen, King Curtis, Janis Joplin, Margaret Glaspy and Sonny Rollins

Marcus King: “One Day She’s Here” from El Dorado

The Shady Recruits: excerpt of “Ghoraibi” from The Shady Recruits

Marcus King: excerpt of “Say You Will” from El Dorado

Marcus King Band with Charles Hedgepath: “Orange Blossom Special” live from the Marcus King Band Family Reunion 9-28-19

Southern Songs and Stories is produced in partnership with public radio station WNCW and the Osiris podcast network, and is available on podcast platforms everywhere. Would you help spread awareness of the artists featured here on Southern Songs and Stories, their music, and this series? Simply subscribe to the podcast and give it a good rating and a comment where you get your podcasts. For example, you can find us on Apple/iTunes here, on Stitcher here, and Spotify here. Our theme songs are by Joshua Meng, with a link to his music here. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Mac Arnold: The Blues That's Got Nothing To Prove

Music so often gives you more than you bargained for. Talk to an artist, talk to a friend, talk to anyone with an interest in music, and it will lead to discovery. You find out about great artists you did not know about; you trace whole branches of the tree of song. Listening to more and more unfamiliar albums along the way is a given, and part of uncovering this joyful essay.

To discover Mac Arnold is to realize that not only does his branch of the song tree have much more substance to it than you might have expected, but also that it directly touches so much more of this mythological and historic giant. He played with the biggest names in the blues, he was behind the scenes of hit TV shows, he has a crack band and a love for farming the same clay soil he did as a boy. There is a great deal more to Mac’s story, and in this episode we feature interviews with the South Carolina artist along with Plate Full O’ Blues band mate Max Hightower, fellow Upstate blues veteran Freddie Vanderford, and writer and musician Peter Cooper, along with a sampling of studio sides and live music from Mac Arnold, John Lee Hooker, Pink Anderson and more.

(Left to Right): Austin Brashier, Mac Arnold, Max HightowerWhile on stage, to be dressed in your best clothes and to look sharp is habit to artists everywhere, a habit that serves to make the player feel good, to know that he looks good. Mac looks a…

(Left to Right): Austin Brashier, Mac Arnold, Max Hightower

While on stage, to be dressed in your best clothes and to look sharp is habit to artists everywhere, a habit that serves to make the player feel good, to know that he looks good. Mac looks almost the same on stage as he does everywhere: cowboy hat, jeans, maybe a flannel shirt. When founding Plate Full O’ Blues member Max Hightower once asked him if he was going to change clothes before their show, he smiled and said “I’ve got nothing to prove!”. It was said with more joy than bravado, and sums up Mac’s outlook on life.

Thanks for being here! We encourage you to spread the word about this podcast and the artists we spotlight, and consider helping us by subscribing and commenting on our show, and by becoming a patron. You can find out more here on our Patreon site -- and you can keep up with us on our Facebook page, on twitter and Instagram. Also, this series is available wherever fine podcasts are found.

There was so much of our many conversations that did not make it into this episode, that I will bring a lot of that to light in a future episode focusing more on Piedmont blues. This is Southern Songs and Stories: the music of the South and the artists who make it.  - Joe Kendrick