A Musical Animal That Puzzles and Delights: The Faux Paws

It is great fun to witness lines reconverge in unexpected ways on this series. When I spoke with Andrew VanNorstrand and Chris Miller of The Faux Paws back at the end of summer, I learned that they had just received the masters for their next album. Fast forward to late winter the following year, and we happen to circle back to the band directly ahead of the release of their new record with this podcast. The trio, which is often a quartet on tour, is also set to come through southern Appalachia once again this spring, on the heels of their second full length album titled No Bad Ideas.

The Faux Paws perform at the Earl Scruggs Music Festival 08/31/24

Photo: Jess Maples

It is easy to glance at The Faux Paws and mistake them for an old time string band or maybe a Celtic band, at least when they are playing banjo. But then, out comes the saxophone, and we are not in Kansas anymore. 

So, what are they, exactly? We answer that question in this conversation with banjo and saxophone player Chris Miller, and guitarist Andrew VanNorstrand, as well as musical specimens from their expansive, hypnotic and melodic new record. It is a lighthearted yet revealing conversation ranging from their experience playing contra dances, how being unmarketable is part of their DNA, to their relationship with the music of Earl Scruggs and more.

Songs heard in this episode:

“Bubwa - No Bad Ideas” by The Faux Paws, from No Bad Ideas

“Rockingham” by The Faux Paws, from No Bad Ideas, excerpt

“Night” by The Faux Paws, from No Bad Ideas, excerpt

“15 Below” by The Faux Paws, from No Bad Ideas

Thanks for visiting! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify here and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.

This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to everyone at the Earl Scruggs Music Festival for helping to make this interview possible, and to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Tray Wellington and the Black Stringband Symposium

It was a great week for roots music in Raleigh NC at the 2024 IBMAs in late September, with music showcases galore, practically every artist and label in bluegrass especially meeting and greeting and doing business, late night jams, and plenty of engaging and informative music panels during the day. The highlight of the business conference side of things, for me, was a two-day series of seminars titled “Roots Revival: A Black Stringband Symposium”. Much of what those panel events put forward was not only new; some of it was quite revelatory. 

In recent years, roots music fans have been turning over stone after stone when it comes to the importance of Black artists in traditional music, ranging from the very dawn of string bands up to the current era of bluegrass and beyond. Knowledge of key figures like Arnold Shultz and DeFord Bailey is much more widespread now, thanks in large part to the music of Generation X stars like the Carolina Chocolate Drops and Old Crow Medicine Show, who are succeeded by younger generations of artists like Jake Blount and Kaia Kater in making their predecessors’ stories, along with the broader history and culture, much better known.  

Tray Wellington took part in the Black Stringband Symposium series, and we caught up after he spoke and played at the seminar titled “Black Music In Appalachia”, which was one of the six hosted by IBMA in partnership with The Banjo Gathering and Elderly Instruments. Tray makes his second appearance on this podcast, and brings us new music as well from his 2024 collection Detour To The Moon.

Tray Wellington speaks at the “Black Music In Appalachia” seminar at IBMA 09/27/24

Photo: The Banjo Gathering

Songs heard in this episode:

“Moon In Motion 1” by Tray Wellington, from Detour To The Moon

“Till Summer Was Gone” by Tray Wellington, from Detour to the Moon, excerpt

“Lift Up Every Stone” by Tray Wellington, from Detour to the Moon, excerpt

“Spiral Staircase” by Tray Wellington, from Detour to the Moon

Thanks for dropping by! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.

This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to everyone at IBMA for helping to make this interview possible, and to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

It’s Always Roots Music 12 O’Clock With Jerry Douglas

Jerry Douglas was effusive and ebullient all afternoon. He and his band approached their soundcheck session with a mixture of patience, focus and glee; it was the warmup for their first performance in front of a live audience in over a year. After sitting out the pandemic for all that time, the main hurdle to their exercise in knocking the rust off seemed to be finding what gear was in which bin, serving only to slightly delay them in getting things back into fifth gear. Jerry’s energy and enthusiasm continued afterwards, when he spoke about everything from his latest album project with John Hiatt to his analogy of the cyclical nature of musical tastes, which gave us the title to this episode.

The Jerry Douglas Band performs at Hazel Robinson Amphitheatre in Asheville, NC 06-03-21

Joe Kendrick and Jerry Douglas on stage at Pisgah Brewing in Black Mountain, NC 08-25-18

Songs heard in this episode:

“From Ankara to Izmir” by The Jerry Douglas Band, performed live 06-03-21 at Hazel Robinson Amphitheatre, Asheville, NC

“All The Lilacs In Ohio” by John Hiatt with The Jerry Douglas Band, from Leftover Feelings, excerpt

“Touch and Go” by Sean Jones from No Need For Words, excerpt

Thank you for stopping by. We hope you enjoyed the podcast, and might tell someone you know about it. You can follow the series on podcast platforms everywhere. Currently Southern Songs and Stories is ranked in the top 5% of all podcasts, which is great! But for this endeavor to be self-supporting, we ask that you follow the series and then give us a top rating and a review on your platform of choice. It is all free, and doing this will make all of the topics and artists covered on this series more likely to be found by more people just like you. Southern Songs and Stories is a part of the podcast lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Sean Rubin for recording and mixing The Jerry Douglas Band’s live performance of “From Ankara to Izmir”, and to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. - Joe Kendrick

The Allman Betts Band: Where The Song Is The Boss

Because it is 2020, nothing is the same, and music is no exception -- podcasts like this one included. As we all find ourselves in the new reality that the coronavirus pandemic has thrown at us, however, the old mantra that “the show must go on” still holds true. And in our case, Southern Songs and Stories goes on in a new way with this episode. With this podcast on The Allman Betts Band, it is the first time that we have done a show with an interview from a video call. A side benefit with this is that we can also share the video of our conversation, which is worth watching just to see Devon Allman changing his background images throughout the interview, so his Iron Maiden reference makes more sense there, for starters. That video is posted below. 

Devon Allman and Duane Betts are well known as the sons of Greg Allman and Dickey Betts, respectively, and their partnership now seems like it was meant to be, especially now that The Allman Betts Band’s second album, Bless Your Heart, is well on its way to being a big hit. But their friendship and musical partnership did not happen right away after they first met some thirty years ago, as teenagers attending an Allman Brothers show. Listen in for that story, as well as the meaning of letting the song be the boss, the expansion of their band members’ and co-writers’ roles on this album, and much more.

Devon Allman and Duane Betts of The Allman Betts Band.

Thanks for visiting, and I hope you enjoy our time with The Allman Betts Band. If you haven’t already done it, please tell someone you know about this series, and subscribe on your podcast platform of choice. Bonus points if you give it a good rating and a review, which helps make Southern Songs and Stories and the artists it profiles more visible to more people just like you. Southern Songs and Stories is a part of the podcast lineup on both public radio WNCW and Osiris Media, with all of the Osiris shows available at https://www.osirispod.com/ . You can also hear new episodes of this podcast on Bluegrass Planet Radio at https://www.bluegrassplanetradio.com/. Thanks also to Sean Rubin at WNCW for engineering our interview session. - Joe Kendrick

Songs heard in this episode:

“Magnolia Road” from Bless Your Heart (excerpt)

“The Doctor’s Daughter” from Bless Your Heart (excerpt)

“Savannah’s Dream” from Bless Your Heart

When Music Is More Than Music, And Becomes A Family: Marcus King

Sometimes it is easy to say what type of music you are listening to, and to pick out what influences go into an artist’s music. But how many times have you heard someone say something like, ‘their sound is Muscle Shoals meets Philly soul’ or ‘this band is what would happen if the Allman Brothers and Janis Joplin had a baby’, and so on? So many times, these are lazy analogies, but even when they have merit, they might only scratch the surface of what informs that artist or band. And on first listen, you will probably quickly recognize some of the ingredients in the music of Marcus King. Blues, rock and soul jump out right away. And when you look at Marcus, it is easy to sum things up by saying that he is a young guitar phenomenon with a powerful voice and a super tight band. This is all true, but there is so much more to discover with Marcus King, and the deeper you go, the more you find out about how intricate his music can be.

After moving to Nashville, Marcus King brought in hit songwriter Paul Overstreet and The Black Keys’ Dan Auerbach to work with him on his album El Dorado

Even though Marcus King did not graduate from high school, he is widely read. Especially when it comes to music, he is a polymath. He enjoys learning guitar technique from vocalists, piano players, and saxophone players, and he knew to quit emulating other guitarists years ago. He can even draw a line from stand up comedy to the music he makes. Marcus is only 23, but his voice, his playing and his songwriting have matured greatly over the span of his five studio albums. With his latest, El Dorado, King brings in co-writers for the first time, along with new producer Dan Auerbach. In this episode, you will hear from Marcus King as well as fellow Greenville, SC based artist and frequent collaborator Charles Hedgepath, along with music from both of their newest records, and a live cover from when they were together on stage at the third annual Marcus King Band Family Reunion.

Marcus King Band live at WNCW 7-15-19. Photos: Kim Henson

Songs heard in this episode:

Marcus King: excerpt of “Wildflowers & Wine” from El Dorado

excerpts of Country Gentlemen, King Curtis, Janis Joplin, Margaret Glaspy and Sonny Rollins

Marcus King: “One Day She’s Here” from El Dorado

The Shady Recruits: excerpt of “Ghoraibi” from The Shady Recruits

Marcus King: excerpt of “Say You Will” from El Dorado

Marcus King Band with Charles Hedgepath: “Orange Blossom Special” live from the Marcus King Band Family Reunion 9-28-19

Southern Songs and Stories is produced in partnership with public radio station WNCW and the Osiris podcast network, and is available on podcast platforms everywhere. Would you help spread awareness of the artists featured here on Southern Songs and Stories, their music, and this series? Simply subscribe to the podcast and give it a good rating and a comment where you get your podcasts. For example, you can find us on Apple/iTunes here, on Stitcher here, and Spotify here. Our theme songs are by Joshua Meng, with a link to his music here. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick